It is Friday night and nothing is chosen
Four days from now a congregation sits down and waits to be told what to sing. Come in.
Build the Ordo
Pick the date. Cantori lays out the propers and the ordinary for that day, proposes hymns, and leaves every one of them yours to change.
The director's side
The Loft
A record of what was sung, where, when and by whom. When you are stuck on a Sunday, ask the people who have already sung it.
Inside the Loft
The Collegium
Intervals, the eight modes, solfège, pointing a psalm. It ends somewhere real: a singer ready to cantor the psalm at a Mass, and you can see when she is.
Inside the Collegium
The Chantry
Benefactors, funds, pledges, Mass intentions, the thank-you queue, year-end statements. No countdowns, no thermometers, no second platform.
Inside the Chantry
Scriptorium
gabc in, engraved neumes out — with playback, the mode named, the psalm pointed, and the page set against the printed Solesmes books.
Inside the Scriptorium
Then you are finished
The week is planned, the worship aid is printed, the singers know where to stand. Close the laptop. That is the whole idea.
REAL SCREENS. NOTHING STAGED.
Two sides of the same loft.
Look at both.
These are captures from the working app. Directors and musicians get different rooms — pick a side and look around.
Sunday gets planned, the roster gets paid, the parish gets asked. All in one place.
Sunday at a glance
The day, the chant, the calendar and the giving — the first thing you see when you sign in.