Cantori

The Sacred Music Network

Where the Church
Finds Its Musicians

The professional platform connecting liturgical music directors with trained vocalists, organists, and instrumentalists for the worship of God. Hiring, contracts, payroll, repertoire, and scheduling — all in one cathedral-grade suite.

Roster Management
Digital Contracts
Stripe Payroll
Aria AI Assistant
17,000U.S. Catholic parishes
18,000+CMAA + NPM members
$2B+Annual sacred music spend

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See Cantori in two minutes

The Director Suite overview — the same film that greets you at the door of the app.

The problem

Sacred music hiring runs on word-of-mouth
and buried forum posts

The Catholic and Anglican liturgical music world employs thousands of trained musicians — organists, vocalists, choral directors, instrumentalists — yet has no professional infrastructure to connect them with parishes that need their skills. The entire hiring ecosystem operates through email chains, word of mouth, and informal Facebook community groups.

This is not a niche problem. CMAA membership counts over 10,000 active practitioners. NPM represents 8,000 more. Directors of music leave positions vacant for months because they cannot find vetted candidates. Musicians cobble together income from three or four part-time roles, each arranged through informal referral.

17,000

U.S. Catholic parishes, most with at least one paid music position, with no dedicated platform to fill it.

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Platforms that handle musician discovery, contracts, 1099 disbursements, and liturgical repertoire in one place.

Facebook threads and email chains. The current state of the art for finding a cantor who can sing the Propers.

Built for every tradition we serve

Catholic (OF)Catholic (EF)AnglicanEpiscopalLutheran (LCMS)Lutheran (ELCA)ByzantineOrdinariate

What Cantori does

Every Tool a Liturgical Music Program
Actually Needs

Talent discovery

Search musicians by voice type, Latin proficiency, chant experience, liturgical rite, and geographic reach. No more guessing who in the diocese can actually sing a Graduale.

Contracts & payments

Hire for a single Mass or an entire season. Stripe handles disbursements and 1099s. Directors pay through the platform; musicians get paid reliably.

Program management

Repertoire planning, payroll tracking, Latin diction references, and scheduling for your entire sacred music program. The tools a director actually needs, not a generic HR platform.

Built for the liturgy

Ordinary Form. Extraordinary Form. Anglican Use. Ordinariate. Episcopal and Lutheran high-church. Cantori understands the distinctions that matter across every tradition it serves.

For Directors

  • Stop relying on Facebook groups and email chains to staff your schola.
  • Find Latin-literate singers, organists, and instrumentalists on demand.
  • Contracts, Stripe payroll, 1099s, and repertoire planning in one place.
Explore the Director Suite

For Musicians

  • Showcase your voice type, chant experience, and liturgical repertoire.
  • Get discovered for Masses, weddings, funerals, and concert work.
  • Reliable payment through Stripe — no more chasing checks.
Tour the Musician Portal

Explore Cantori

The Sacred Musician Network — One Platform, Every Role

Scriptorium

A chant engraver that
knows the rules

Everything on this page is engraved live by the app itself. Not a screenshot, not a mock-up: the same parser, the same font outlines, the same spacing that runs when you open it.

Punctum
Podatus
Clivis
Torculus
Porrectus
Climacus
Quilisma
Scandicus
Podatus
Mode VIII·Hypomixolydian, final on G·Setting syllable 1 of 5

Look closely at any of them

Alleluia---

Porrectus. The broad nib goes down and comes back up without lifting. Meinrad cuts one glyph per descent, in a curved and a straight form, and the rise decides which.

Engraving
The Meinrad outlines, not approximations
Every sign is the chant font's own drawing -- the punctum with the inward bow a broad nib leaves, the quilisma with its real teeth, both clefs. Where no single glyph exists, the figure is composed to the book's rules: heads touching inside a neume, hairline joins, the four spaces gabc distinguishes.
Sound
It sings rather than sequences
Lengths come from the marks: a mora dot doubles, an episema broadens without stopping, a quilisma lengthens what precedes it, a climacus gathers speed. Then a performance layer leans into cadences, breathes at the bars, and varies the timing the way a schola does.
Editing
Drop shapes onto syllables
The syllable is the unit, because in chant it is. Drag a neume onto a word, drag the clef to another line, add text as you go. Undo, redo, zoom, and a status bar that tells you what you are looking at. GABC is there if you want it and never required.
Analysis
It reads the chant back to you
Mode and final, ambitus against your choir's range, the standard formulas it recognises, phrase and breath structure, and a chironomy overlay that draws the conductor's wave above the staff.
Rhythm
Three centuries, one melody
Switch between the Vatican edition, the Solesmes markings and a semiological reading. The music never changes -- only which era's marks are printed.
Print
Made for paper
SVG, PNG and PDF at engraving quality, with a print preview that shows the page as it will actually come out. Psalm pointing, large-print settings and booklet imposition for the pew.
Open Scriptorium
Included with every Cantori account. Scriptorium™ is part of the Cantori Sacred Music Network.
"The Church has always brought forth her most beautiful art
in service of the sacred liturgy.
Cantori continues that tradition."

Sacred Music Fundraising

Keep sacred music at the altar —
funded by your community

Cantori gives every parish a complete, secure fundraising suite — from a public give page to live campaign tracking and automatic milestone alerts — so directors can focus on the music and the office can focus on the stewardship.

A branded give page for every program

Each director gets a public giving page — parish name, banner, and a one-tap Stripe checkout. Share the link in the bulletin, on the parish website, or in the weekly email.

Campaigns with live progress bars

Launch a specific fund — a new hymnal, organ restoration, choir tour — and donors watch the thermometer climb in real time. General Fund giving flows alongside, no extra setup.

Automatic milestone alerts

When a fund crosses 25%, 50%, 75%, or its full goal, the parish office gets an instant email — so treasurers and pastors never miss a moment to give thanks or plan ahead.

Funds go straight to the church

Cantori Offertory connects the parish's own Stripe account. Donations route directly to the church's bank — Cantori never holds or touches the money.

A parish dashboard, not a spreadsheet

Treasurers get a secure portal: every gift logged, donor records, CSV exports, and a Stripe login to manage payouts — no login to the full app required.

Receipts & thank-yous, handled

Every gift triggers an automatic receipt to the donor and an acknowledgment flag for the office, so no gift goes unthanked and every contribution is tax-documented.

Collective Impact

Generosity in Real Time

Every gift through Cantori keeps sacred music alive at churches across the country. Watch the total grow live.

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Support the mission

Help sacred music
flourish

Cantori is live. Your gift keeps trained musicians at the altar and puts cathedral-grade tools in the hands of every parish choir — every dollar serves the sacred liturgy.

Cantori

Where the Church finds its musicians. The professional network for sacred music.

© 2025–2026 Cantori. All rights reserved.

Cantori and its applications — Scriptorium™, The Collegium™, The Chantry™, The Loft™, Colloquy™, The Living Ordo™ and Aria™ — together with their design, source code, interface, written content and marks, are the proprietary property of Cantori. No part may be copied, reproduced, reverse-engineered, republished or used to build a competing product without prior written permission. Unauthorised use will be pursued.

Licensing enquiries: licensing@cantori.app

“Sicut cervus desiderat ad fontes aquarum…”Psalm 42 · As the deer longs for streams of water, so my soul longs for you, O God.